• About
    • Paintings 2000– present
    • Paintings 1998–2000
    • 'Meditations' 1996–
    • Voces intimae 1991–
    • 'Aurore' 1990–
    • Paintings 1982–
    • Paintings 1980–1981
    • Drawings and early works
    • Articles
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    • Books
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Harald Arnkil

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+358 40 7164804

Visual artist – colour researcher

Harald Arnkil

  • About
  • Art
    • Paintings 2000– present
    • Paintings 1998–2000
    • 'Meditations' 1996–
    • Voces intimae 1991–
    • 'Aurore' 1990–
    • Paintings 1982–
    • Paintings 1980–1981
    • Drawings and early works
  • Publications
    • Articles
    • Research
    • Books
  • News
  • Contact
  • Links
Aubade I

'Aurore' 1990–

‘Aurore’ is a series of paintings made from about 1990 onwards. it continues the exploration of colour relationships on a shaped canvas begun in the works for my debut show in 1981. I first made a painting on a right-angle triangle -shaped support with the apex pointing upwards, similarly to the ones in my 1981 show. I was not satisfied and turned the canvas upside down. Now the painting resembled a landscape, like a mountain range in crepuscular light or sand dunes in a desert. This worried me at first, since I thought I was making totally abstract art, but soon the beauty of the sense of atmosphere and natural illuminations at different times of day grew on me.

The colour scheme is a sequence or scale progressing from saturated to neutral. I have restricted the lightness contrasts to a minimum in order to emphasize the chromatic interaction. In a scale like this, the tiniest error in tinting the colour will cry out like an exclamation mark. Mixing the colours felt like tuning a musical instrument; when I got it right, I felt that the painting “sounded in tune”. The various colour scales could be likened to both lighting effects and keys or chords in music.

'Aurore' 1990–

‘Aurore’ is a series of paintings made from about 1990 onwards. it continues the exploration of colour relationships on a shaped canvas begun in the works for my debut show in 1981. I first made a painting on a right-angle triangle -shaped support with the apex pointing upwards, similarly to the ones in my 1981 show. I was not satisfied and turned the canvas upside down. Now the painting resembled a landscape, like a mountain range in crepuscular light or sand dunes in a desert. This worried me at first, since I thought I was making totally abstract art, but soon the beauty of the sense of atmosphere and natural illuminations at different times of day grew on me.

The colour scheme is a sequence or scale progressing from saturated to neutral. I have restricted the lightness contrasts to a minimum in order to emphasize the chromatic interaction. In a scale like this, the tiniest error in tinting the colour will cry out like an exclamation mark. Mixing the colours felt like tuning a musical instrument; when I got it right, I felt that the painting “sounded in tune”. The various colour scales could be likened to both lighting effects and keys or chords in music.

Aubade I

Aubade I

Acrylic on canvas on plywood, 105 x 210 cm, 1990

Photo: Jussi Tiainen

Aubade II

Aubade II

Acrylic on canvas on plywood, 105 x 210 cm, 1990

Photo: Jussi Tiainen

Siena

Siena

Acrylic on canvas on plywood, 105 x 210 cm, 1990.

OKO Bank

Photo: Jussi Tiainen

Terra Firma

Terra Firma

Acrylic on canvas on plywood, 105 x 210 cm, 1990

Finnish state collections

Photo: Jussi Tiainen

Misterioso I

Misterioso I

Acrylic on canvas on plywood, 105 x 210 cm, 1990

Private collection

Photo: Jussi Tiainen

Misterioso II

Misterioso II

Acrylic on canvas on plywood, 105 x 210 cm, 1991

Statens Konstråd (Public Art Agency Sweden)

Photo: Jussi Tiainen

Religioso

Religioso

Acrylic on canvas on plywood, 105 x 210 cm, 1990

Finnish State Collections

Photo: Jussi Tiainen

Largo

Largo

Acrylic on canvas on plywood, 150 x 300 cm, 1990

Museum of Contemporary Art Kiasma, Helsinki

Photo: Jussi Tiainen

Veronese

Veronese

Acrylic on canvas on plywood, 105 x 210 cm, 1991

Photo: Jussi Tiainen

Larghetto

Larghetto

Acrylic on canvas on plywood, 106 x 212 cm, 1991–2000

Aubade III

Aubade III

Acrylic on canvas on plywood, 105 x 210 cm, 1993

Photo: Jussi Tiainen

Lux Aeterna

Lux Aeterna

Acrylic on canvas on plywood, two panels, 172 x 344 cm, 1991

Nokia Mobile Phones

Photo: Jussi Tiainen

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